Evan Clabots

EVAN CLABOTS DESIGN

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2017

  Oculus Sundial   Concept: 2017  Derived from primitive geometry, the Oculus sundial is a modern take on an old typology. Its design details are only possible to create through 3D printing, and the angle of the Gnomon is precisely customized to be accurate at a specific point in the world, in this case New York. The Oculus is 3D printed in bronze.

Oculus Sundial

Concept: 2017

Derived from primitive geometry, the Oculus sundial is a modern take on an old typology. Its design details are only possible to create through 3D printing, and the angle of the Gnomon is precisely customized to be accurate at a specific point in the world, in this case New York. The Oculus is 3D printed in bronze.

  Be Better Dart Board   Exhibit: DART x DESIGN 2017   'Be Better Dart Board -    Always strive to be your best;    settle for no less.'   This minimal dartboard challenges one to 'go big or go home.' Clabots developed it for Frog Design's invitational exhibit for New York Design week.

Be Better Dart Board

Exhibit: DART x DESIGN 2017

'Be Better Dart Board -

Always strive to be your best;

settle for no less.'

This minimal dartboard challenges one to 'go big or go home.' Clabots developed it for Frog Design's invitational exhibit for New York Design week.

  Pal Bottle Opener   Concept: 2017  The Pal Bottle Opener stands tall with a form that looks more like a piece of decor than a functional object. But make no mistake; like any good friend, it is there for you in a pinch, opening a bottle with the perfect amount of leverage without even denting the cap. Pal is made from 3D printed steel, allowing for beautifully precise connections in a minimal form.

Pal Bottle Opener

Concept: 2017

The Pal Bottle Opener stands tall with a form that looks more like a piece of decor than a functional object. But make no mistake; like any good friend, it is there for you in a pinch, opening a bottle with the perfect amount of leverage without even denting the cap. Pal is made from 3D printed steel, allowing for beautifully precise connections in a minimal form.

OTHR 

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2016

  Aqueous Wall Planter   Client: OTHR  2016  This droplet-shaped planter is crafted in 3D printed porcelain, with the option of a 3D printed gold steel or bronze hook. Clabots was intrigued by the idea of combining two materials into a singular form using the 3D printing process. The planter’s duality makes use of each material’s inherent properties: polished metal for an ultra-precise bracket and porcelain for a smooth, voluminous container.

Aqueous Wall Planter

Client: OTHR  2016

This droplet-shaped planter is crafted in 3D printed porcelain, with the option of a 3D printed gold steel or bronze hook. Clabots was intrigued by the idea of combining two materials into a singular form using the 3D printing process. The planter’s duality makes use of each material’s inherent properties: polished metal for an ultra-precise bracket and porcelain for a smooth, voluminous container.

  Ipseity Wall Hook   Client: OTHR  2016  This strikingly-detailed rectangular wall hook is crafted in 3D printed bronze steel. Clabots wanted to use concave objects to highlight and display the beauty of 3D printing. Similar to the grain in wood, the 3D printing process creates natural grains. Clabots’ design accentuates this natural fingerprint throughout the face of the hook, allowing the piece to act as art whether or not it is in use.

Ipseity Wall Hook

Client: OTHR  2016

This strikingly-detailed rectangular wall hook is crafted in 3D printed bronze steel. Clabots wanted to use concave objects to highlight and display the beauty of 3D printing. Similar to the grain in wood, the 3D printing process creates natural grains. Clabots’ design accentuates this natural fingerprint throughout the face of the hook, allowing the piece to act as art whether or not it is in use.

HEM

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2015

  Basket Weave Rug   Client: Hem  2014  The Basket Weave rug was an intricately-woven mixture of wool and cotton, available in five colors. When designing this rug, Clabots wanted to create a minimalist piece in a single color, where the interest lay in the texture rather than the graphic.

Basket Weave Rug

Client: Hem  2014

The Basket Weave rug was an intricately-woven mixture of wool and cotton, available in five colors. When designing this rug, Clabots wanted to create a minimalist piece in a single color, where the interest lay in the texture rather than the graphic.

  Bias Shelving   Client: Hem  2014  The Bias shelves comprised a set of four that could be arranged in endless configurations of regular and irregular patterns. Clabots’ design was reminiscent of industrial crates, but his modern slant created new visual interest as you mixed and matched them. These shelves were designed to nest into one another for easy shipping, and the four-way keyhole hangers enabled the shelf to hang in any orientation.

Bias Shelving

Client: Hem  2014

The Bias shelves comprised a set of four that could be arranged in endless configurations of regular and irregular patterns. Clabots’ design was reminiscent of industrial crates, but his modern slant created new visual interest as you mixed and matched them. These shelves were designed to nest into one another for easy shipping, and the four-way keyhole hangers enabled the shelf to hang in any orientation.

  Bliss Wool Rug   Client: Hem  2014  The Bliss rug featured a slate background offset by contrasting cording. Clabots designed the rug as a textural piece, with oversized loops to generate a feeling of depth and texture. The muted tone allowed the piece to work in any space, while the subtle hints of color complemented your room's palette.

Bliss Wool Rug

Client: Hem  2014

The Bliss rug featured a slate background offset by contrasting cording. Clabots designed the rug as a textural piece, with oversized loops to generate a feeling of depth and texture. The muted tone allowed the piece to work in any space, while the subtle hints of color complemented your room's palette.

CONSULTING

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2015

  Sonneman Spring '15 Catalog   Client: Sonneman  2015  Clabots worked with company president Robert Sonneman to update the catalog’s layout for their Spring ’15 Additions. Building on motifs rooted in the brand’s visual identity, Clabots unified the brand by presenting the company’s various lamp styles using a minimalist grid and single graphic language. Clabots also personally retouched many of the images.

Sonneman Spring '15 Catalog

Client: Sonneman  2015

Clabots worked with company president Robert Sonneman to update the catalog’s layout for their Spring ’15 Additions. Building on motifs rooted in the brand’s visual identity, Clabots unified the brand by presenting the company’s various lamp styles using a minimalist grid and single graphic language. Clabots also personally retouched many of the images.

  Habitat Collective Branding   Client: Habitat Collective 2015  Clabots developed the branding for  Habitat Collective , a new eCommerce home goods platform. The process included strategic planning, working with the client to identify their customer base, research their cohort companies, and develop an identity and brand guide for future implementation.

Habitat Collective Branding

Client: Habitat Collective 2015

Clabots developed the branding for Habitat Collective, a new eCommerce home goods platform. The process included strategic planning, working with the client to identify their customer base, research their cohort companies, and develop an identity and brand guide for future implementation.

  Icypod Branding and Packaging   Client: Muntech 2015  Clabots developed the branding for  Icypod , a personal cooling device. The process included strategic planning, working with the client to identify their customer base, researching their cohort companies, and developing an identity and brand guide for future implementation and packaging.

Icypod Branding and Packaging

Client: Muntech 2015

Clabots developed the branding for Icypod, a personal cooling device. The process included strategic planning, working with the client to identify their customer base, researching their cohort companies, and developing an identity and brand guide for future implementation and packaging.

FAB

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2013-2014

  Clip Sofa   Client: Fab 2014  Clip was a configurable sofa system, consisting of 5 modular parts that could be rearranged in hundreds of variations. The bent plywood back-support easily clipped in and out of position, and could be used for various functions, such as a tray for resting your drink. The same mechanism used for locking the back support in place also connected the base units to lock configurations in place.

Clip Sofa

Client: Fab 2014

Clip was a configurable sofa system, consisting of 5 modular parts that could be rearranged in hundreds of variations. The bent plywood back-support easily clipped in and out of position, and could be used for various functions, such as a tray for resting your drink. The same mechanism used for locking the back support in place also connected the base units to lock configurations in place.

  Cup Sofa   Client: Fab   2014  Clabots designed the Cup Sofa to have its own personality, while also transforming and adapting to different settings. Its sculptural profile was combined with clean and graphic lines. This created a key silhouette that could range from playful to refined, depending on the sofa color (6 options) and the style of the sofa’s leg (2 options).

Cup Sofa

Client: Fab 2014

Clabots designed the Cup Sofa to have its own personality, while also transforming and adapting to different settings. Its sculptural profile was combined with clean and graphic lines. This created a key silhouette that could range from playful to refined, depending on the sofa color (6 options) and the style of the sofa’s leg (2 options).

  Flip Sofa   Client: Fab  2014  This sofa family was born from the business pain-point of SKU management. Clabots conducted extensive market research while designing this sofa, and he determined that most customers wanted one of three sofa sizes and a chair. Using this knowledge, Clabots designed a set of sofas with back cushions that could be configured to look minimal or mid-century, and two sets of legs from which to choose.

Flip Sofa

Client: Fab  2014

This sofa family was born from the business pain-point of SKU management. Clabots conducted extensive market research while designing this sofa, and he determined that most customers wanted one of three sofa sizes and a chair. Using this knowledge, Clabots designed a set of sofas with back cushions that could be configured to look minimal or mid-century, and two sets of legs from which to choose.

  Gather Table   Client: Fab  2014  Rooted in the easy minimalism of classic Scandinavian design, Clabots designed the Gather Table to have four identical L-shaped legs that link together to create the base and support for the tabletop. Clabots wanted the assembly to be an exercise in simplicity. He paired it with a set of chairs that fit perfectly against the table’s curved edge to create a seamless and streamlined silhouette.

Gather Table

Client: Fab  2014

Rooted in the easy minimalism of classic Scandinavian design, Clabots designed the Gather Table to have four identical L-shaped legs that link together to create the base and support for the tabletop. Clabots wanted the assembly to be an exercise in simplicity. He paired it with a set of chairs that fit perfectly against the table’s curved edge to create a seamless and streamlined silhouette.

  Gather Chair   Client: Fab 2014  The Gather Chair was rooted in the easy minimalism of classic Scandinavian design. Clabots designed the chair to complement the Gather Table, with the chair’s wide back and generous curves mimicking the table’s circular shape. When pulled up against the table’s edge, it made for a seamless fit and streamlined silhouette.

Gather Chair

Client: Fab 2014

The Gather Chair was rooted in the easy minimalism of classic Scandinavian design. Clabots designed the chair to complement the Gather Table, with the chair’s wide back and generous curves mimicking the table’s circular shape. When pulled up against the table’s edge, it made for a seamless fit and streamlined silhouette.

  Duple Lamp   Client: Fab 2014  The Duple Lamp was a compact, sculptural wooden lamp that was equally charming when sitting on a desk or mounted on the wall. Like the rest of Fab's Nordic collection, Clabots designed it for easy assembly.

Duple Lamp

Client: Fab 2014

The Duple Lamp was a compact, sculptural wooden lamp that was equally charming when sitting on a desk or mounted on the wall. Like the rest of Fab's Nordic collection, Clabots designed it for easy assembly.

  Signal Lamp   Client: Fab 2014     Clabots designed the Signal lamp to be an adjustable-height pendant or a sculptural table lamp. The cord entered through the top of the handle and exited on the side next to a metal bracket, around which the cord could be wound to shorten its length.

Signal Lamp

Client: Fab 2014

 

Clabots designed the Signal lamp to be an adjustable-height pendant or a sculptural table lamp. The cord entered through the top of the handle and exited on the side next to a metal bracket, around which the cord could be wound to shorten its length.

  Fetch Lamp   Client: Fab  2014  The Fetch Lamp was the perfect combination of design and utility. An elegant accent, Clabots designed it to also serve as a neat storage space for small knickknacks. The unique, inverted shape of the lamp’s base turned commonly-held design conventions on their heads while adding a touch of elegance.

Fetch Lamp

Client: Fab  2014

The Fetch Lamp was the perfect combination of design and utility. An elegant accent, Clabots designed it to also serve as a neat storage space for small knickknacks. The unique, inverted shape of the lamp’s base turned commonly-held design conventions on their heads while adding a touch of elegance.

  Link Chair   Client: Fab 2014  This beanbag chair was designed to be more than just a staple in a kid’s playroom; Clabots approached this design as he would any other chair. It boasted an upright, ergonomic silhouette that was chic enough for a living room while retaining the sink-into-it quality that makes bean bags so popular. It also could connect with two others for a full sofa.

Link Chair

Client: Fab 2014

This beanbag chair was designed to be more than just a staple in a kid’s playroom; Clabots approached this design as he would any other chair. It boasted an upright, ergonomic silhouette that was chic enough for a living room while retaining the sink-into-it quality that makes bean bags so popular. It also could connect with two others for a full sofa.

  Venture Desk   Client: Fab  2014   Inspired by classic Scandinavian design, Clabots designed the Venture Desk with the lightest of decorative elements. His design allowed for assembly with the minimum hardware, and the structural components of the desk added a graphic element. This created the optical illusion of the diagonal third leg piercing through the surface.

Venture Desk

Client: Fab  2014 

Inspired by classic Scandinavian design, Clabots designed the Venture Desk with the lightest of decorative elements. His design allowed for assembly with the minimum hardware, and the structural components of the desk added a graphic element. This created the optical illusion of the diagonal third leg piercing through the surface.

  Fab SOHO Showroom   Client: Fab  2014  Clabots collaborated with PJ Matan and Kiel Mead to design the Fab Pop-up Store in SOHO for the debut of their #happymodern collection in May of 2014.

Fab SOHO Showroom

Client: Fab  2014

Clabots collaborated with PJ Matan and Kiel Mead to design the Fab Pop-up Store in SOHO for the debut of their #happymodern collection in May of 2014.

NONLINEAR STUDIO

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2010-2013

  Slip Watch   Client: Nonlinear 2011  The Slip Watch was the first product that Clabots released through Nonlinear Studio. The skewed posture of the watch put a new “spin” on the classic archetypal watch shape. The piece was intentionally minimal, with proportions that were almost predictable. However, its skewed posture made the watch appear to be slipping off the band, like a moment caught in time. The shape also offered increased ergonomic functionality, as the wearer could view the timepiece with less turning of the arm. The band also penetrated the casing at the 9 and 12 hour markings, giving reference to an otherwise unmarked face.

Slip Watch

Client: Nonlinear 2011

The Slip Watch was the first product that Clabots released through Nonlinear Studio. The skewed posture of the watch put a new “spin” on the classic archetypal watch shape. The piece was intentionally minimal, with proportions that were almost predictable. However, its skewed posture made the watch appear to be slipping off the band, like a moment caught in time. The shape also offered increased ergonomic functionality, as the wearer could view the timepiece with less turning of the arm. The band also penetrated the casing at the 9 and 12 hour markings, giving reference to an otherwise unmarked face.

  B3 Cookware   Client: All-Clad 2012  All-Clad sought to reach a younger demographic of cooks with their B3 anodized aluminum line of cookware. For the launch, they enlisted Clabots to design cookware that would meet the visual and ergonomic needs of their more design-savvy audience while maintaining an important balance with their iconic brand language.

B3 Cookware

Client: All-Clad 2012

All-Clad sought to reach a younger demographic of cooks with their B3 anodized aluminum line of cookware. For the launch, they enlisted Clabots to design cookware that would meet the visual and ergonomic needs of their more design-savvy audience while maintaining an important balance with their iconic brand language.

  Amplifiear   Client: Amplifiear 2012  Clabots designed the Amplifiear to correct a design flaw in the iPad 2, in which the speaker faced away from the user rather than toward. The attachment also gave a considerable boost to higher frequencies, increasing the crispness and clarity of the sound as well as the volume. Clabots used Kickstarter to crowdfund the project and received 456% of the funding goal.

Amplifiear

Client: Amplifiear 2012

Clabots designed the Amplifiear to correct a design flaw in the iPad 2, in which the speaker faced away from the user rather than toward. The attachment also gave a considerable boost to higher frequencies, increasing the crispness and clarity of the sound as well as the volume. Clabots used Kickstarter to crowdfund the project and received 456% of the funding goal.

  Amplifiear Packaging   Client: Amplifiear 2012  Clabots designed all the packaging for Amplifiear. The packaging was designed to be 100% recyclable, like the product, itself. The card stock of the packaging the was responsibly farmed from renewable forests, and the packaging was approved by both the Apple Store and Best Buy as meeting their stick-packaging standards.

Amplifiear Packaging

Client: Amplifiear 2012

Clabots designed all the packaging for Amplifiear. The packaging was designed to be 100% recyclable, like the product, itself. The card stock of the packaging the was responsibly farmed from renewable forests, and the packaging was approved by both the Apple Store and Best Buy as meeting their stick-packaging standards.

  Amplifiear Website   Client: Amplifiear 2012  In 2010, Clabots designed and built the Amplifiear eCommerce platform. Clabots art directed all photography and coded a custom theme for the site in CSS.

Amplifiear Website

Client: Amplifiear 2012

In 2010, Clabots designed and built the Amplifiear eCommerce platform. Clabots art directed all photography and coded a custom theme for the site in CSS.

  Barrow Chair   Exhibition: Core77 Open 2012  Inspiration for this chair came from the common use of a wheelbarrow as a lounge seat during break time on a worksite. Clabots considered this functionality, and he selectively adapted the form of a traditional wheelbarrow to highlight its most dynamic lines. The structure brought a new purpose and character to a timeless and familiar object.

Barrow Chair

Exhibition: Core77 Open 2012

Inspiration for this chair came from the common use of a wheelbarrow as a lounge seat during break time on a worksite. Clabots considered this functionality, and he selectively adapted the form of a traditional wheelbarrow to highlight its most dynamic lines. The structure brought a new purpose and character to a timeless and familiar object.

  Spot and Swat   Exhibition: THREAT | AMDC  2012  Clabots designed this piece for an American Design Club’s Gallery Show, entitled THREAT: Objects of Defense and Protection. Designers were asked the question, “when you hear something go bump in the night, what do you grab?” Clabots instinctively conjured a bat, a classic defense weapon. Improving on an already near-perfect design, Clabots added the concept of a heavy-duty flash light, which allowed one to spot an intruder prior to taking action.

Spot and Swat

Exhibition: THREAT | AMDC  2012

Clabots designed this piece for an American Design Club’s Gallery Show, entitled THREAT: Objects of Defense and Protection. Designers were asked the question, “when you hear something go bump in the night, what do you grab?” Clabots instinctively conjured a bat, a classic defense weapon. Improving on an already near-perfect design, Clabots added the concept of a heavy-duty flash light, which allowed one to spot an intruder prior to taking action.

  Slightly Awkward Lamp   Exhibition: CITE Goes America 2010  The defining beauty in people is often the characteristic that doesn’t fit the standard mold. The Slightly Awkward Desk Lamp was simple and minimal, but with a peculiar posture. The awkward stance of the lamp, with its truncated fourth leg, gave it life and personality while allowing it to balance as an ambient table lamp or a directional task lamp.

Slightly Awkward Lamp

Exhibition: CITE Goes America 2010

The defining beauty in people is often the characteristic that doesn’t fit the standard mold. The Slightly Awkward Desk Lamp was simple and minimal, but with a peculiar posture. The awkward stance of the lamp, with its truncated fourth leg, gave it life and personality while allowing it to balance as an ambient table lamp or a directional task lamp.

  Clamp Coffee Table   Exhibition: LIFT HOLD ROLL | AMDC  2010  This ready-to-assemble coffee table employed four wood clamps as the table’s principal fasteners. The product was constructed out of pickled oak and steel clamps with a 1/2″ tempered glass top.

Clamp Coffee Table

Exhibition: LIFT HOLD ROLL | AMDC  2010

This ready-to-assemble coffee table employed four wood clamps as the table’s principal fasteners. The product was constructed out of pickled oak and steel clamps with a 1/2″ tempered glass top.

  Clamp Desk Lamp   Exhibition: LIFT HOLD ROLL | AMDC 200 & CITE Goes America 2010  The Clamp Desk lamp was an adjustable task light that fixed to a table with an industrial wood clamp. The form of the clamp was extended through a 4" bend to support the shade.

Clamp Desk Lamp

Exhibition: LIFT HOLD ROLL | AMDC 200 & CITE Goes America 2010

The Clamp Desk lamp was an adjustable task light that fixed to a table with an industrial wood clamp. The form of the clamp was extended through a 4" bend to support the shade.

  Heart Parts   Client: iHeart 2011  Entrepreneur Fatima Fazal approached Clabots with a new concept of heart-shaped utensils. Clabots helped her to translate her concept into a form made of biodegradable plastic that could be injection-molded for mass production. The resulting products have been sold in the MoMa store and Collette, and have been featured by Martha Stewart.

Heart Parts

Client: iHeart 2011

Entrepreneur Fatima Fazal approached Clabots with a new concept of heart-shaped utensils. Clabots helped her to translate her concept into a form made of biodegradable plastic that could be injection-molded for mass production. The resulting products have been sold in the MoMa store and Collette, and have been featured by Martha Stewart.

  Andaz Maui - Artwork   Client: Rockwell Group 2011  Rockwell Group commissioned Clabots to develop a series of original “vintage” surf posters, which would be placed in the new rooms at the Andez Maui at Waile. The posters represented various traditional surf-poster styles, but with an edge that brought an eclectic feel to the modern room.

Andaz Maui - Artwork

Client: Rockwell Group 2011

Rockwell Group commissioned Clabots to develop a series of original “vintage” surf posters, which would be placed in the new rooms at the Andez Maui at Waile. The posters represented various traditional surf-poster styles, but with an edge that brought an eclectic feel to the modern room.

  Nonlinear Branding   Client: Nonlinear 2010  In 2010, Clabots opened the boutique creative studio,  Nonlinear Studio.  Clabots designed the logo and branding for the studio.

Nonlinear Branding

Client: Nonlinear 2010

In 2010, Clabots opened the boutique creative studio, Nonlinear Studio. Clabots designed the logo and branding for the studio.

  Nonlinear cCommerce   Client: Nonlinear 2010  Clabots designed and built Nonlinear’s eCommerce platform for its self titled watch brand  Nonlinear.  For this, Clabots art directed all photography and coded a custom theme for the site in CSS.

Nonlinear cCommerce

Client: Nonlinear 2010

Clabots designed and built Nonlinear’s eCommerce platform for its self titled watch brand Nonlinear. For this, Clabots art directed all photography and coded a custom theme for the site in CSS.

  Slip Watch Packaging   Client: Nonlinear 2010

Slip Watch Packaging

Client: Nonlinear 2010

DROR

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2004-2010

  Peacock Chair   Client: Cappellini (Work done at Dror.)   2009  Now a permanent piece in the Metropolitan Museum of Art, the Peacock Chair resembles the physical aspects of a peacock and extracts metaphorical substance from its feathers. Clabots designed this chair to have structure and strength from the peacock-like folds, creating a comfortable lounge chair with no sewing or upholstery involved.  Award:  Selected for Metropolitan Museum of Art Permanent Collection 2010    

Peacock Chair

Client: Cappellini (Work done at Dror.) 2009

Now a permanent piece in the Metropolitan Museum of Art, the Peacock Chair resembles the physical aspects of a peacock and extracts metaphorical substance from its feathers. Clabots designed this chair to have structure and strength from the peacock-like folds, creating a comfortable lounge chair with no sewing or upholstery involved.

Award: Selected for Metropolitan Museum of Art Permanent Collection 2010

 

  Dror For Tumi   Client: Tumi (Work done at Dror.) 2012  The Dror for Tumi Collection featured luggage that transformed to meet the modern business traveler’s ever-changing needs. The 11-piece collection included the first ever expandable hard-case carry-on for Tumi. Clabots’ revolutionary “living hinge” feature allowed one to adjust the bag’s depth and nearly double its overall capacity.  Award:  Red Dot Award for Product Design 2013 ( International Expandable Carry-On )   Award:  Travel & Leisure’s 2013 Design Awards ( Tote / Backpack )    

Dror For Tumi

Client: Tumi (Work done at Dror.) 2012

The Dror for Tumi Collection featured luggage that transformed to meet the modern business traveler’s ever-changing needs. The 11-piece collection included the first ever expandable hard-case carry-on for Tumi. Clabots’ revolutionary “living hinge” feature allowed one to adjust the bag’s depth and nearly double its overall capacity.

Award: Red Dot Award for Product Design 2013 ( International Expandable Carry-On )

Award: Travel & Leisure’s 2013 Design Awards ( Tote / Backpack )

 

  Stack Book Shelf   Client: Target (Work done at Dror.) 2008  Clabots designed the Stack Bookcase for Target as a set of nesting trapezoidal boxes. Clabots found that Target’s customers needed a full-height bookcase that fit easily into a shopping cart and assembled in seconds with no tools. Clabots therefore designed the bookcase as a set of 4 boxes that stack vertically to form a single unit.

Stack Book Shelf

Client: Target (Work done at Dror.) 2008

Clabots designed the Stack Bookcase for Target as a set of nesting trapezoidal boxes. Clabots found that Target’s customers needed a full-height bookcase that fit easily into a shopping cart and assembled in seconds with no tools. Clabots therefore designed the bookcase as a set of 4 boxes that stack vertically to form a single unit.

  Spin Wall Clock   Client: Target (Work done at Dror.) 2008  Clabots developed the Spin clock to rotate closed for compact shipping. Spinning the front cross pulled the others around and fanned the clock out into perfect alignment.

Spin Wall Clock

Client: Target (Work done at Dror.) 2008

Clabots developed the Spin clock to rotate closed for compact shipping. Spinning the front cross pulled the others around and fanned the clock out into perfect alignment.

  Tilt Lamp   Client: Target (Work done at Dror.) 2008  The Tilt Lamp transformed from a straight, stick lamp to an angled task lamp. Clabots developed the unique mechanism using the geometry of a tackle box. By developing a new mechanism based on simple mechanics, it was possible to offer the adjustable lamp at a low retail price.

Tilt Lamp

Client: Target (Work done at Dror.) 2008

The Tilt Lamp transformed from a straight, stick lamp to an angled task lamp. Clabots developed the unique mechanism using the geometry of a tackle box. By developing a new mechanism based on simple mechanics, it was possible to offer the adjustable lamp at a low retail price.

  +/- Bathroom Cabinet   Client: Boffi (Work done at Dror) 2007  +/- was a mirrored, bathroom storage cabinet with a unique opening system; when closed, it lay horizontal and could be used as a standard, over-the-sink mirror. The mirror then rotated vertical to open, which allowed for complete access to the objects inside the cabinet and use by people of all heights.  Award:  Good Design Award 2008.

+/- Bathroom Cabinet

Client: Boffi (Work done at Dror) 2007

+/- was a mirrored, bathroom storage cabinet with a unique opening system; when closed, it lay horizontal and could be used as a standard, over-the-sink mirror. The mirror then rotated vertical to open, which allowed for complete access to the objects inside the cabinet and use by people of all heights.

Award: Good Design Award 2008.

  Swarovski Floor Chandilier   Client: Swarovski (Work done at Dror) 2007  This unusual piece displaced the chandelier from the ceiling to the floor. Clear strands wove together 6,400  Swarovski  crystals in a grid pattern. When the frame opened, the grid transformed into two sweeping parabolas. The frame was later patented and branded as ‘ QuaDror ,’ a self-locking hinge system with no fasteners that  Dror  used in multiple products and concepts. In the floor chandelier, four incandescent strips were placed on the inner walls of the frame, which created a dramatic ambiance as the light glimmered through the curved web of crystals.

Swarovski Floor Chandilier

Client: Swarovski (Work done at Dror) 2007

This unusual piece displaced the chandelier from the ceiling to the floor. Clear strands wove together 6,400 Swarovski crystals in a grid pattern. When the frame opened, the grid transformed into two sweeping parabolas. The frame was later patented and branded as ‘QuaDror,’ a self-locking hinge system with no fasteners that Dror used in multiple products and concepts. In the floor chandelier, four incandescent strips were placed on the inner walls of the frame, which created a dramatic ambiance as the light glimmered through the curved web of crystals.

  Lean Sofa   Client: BBB emmebonacina (Work done at Dror) 2007  The Lean folding sofa simplified the process of converting a sofa to a bed. It used a carefully-crafted series of pivot points that allowed gravity to do most of the work. 

Lean Sofa

Client: BBB emmebonacina (Work done at Dror) 2007

The Lean folding sofa simplified the process of converting a sofa to a bed. It used a carefully-crafted series of pivot points that allowed gravity to do most of the work. 

  Try it Trivet   Client: Alessi (Work done at Dror) 2009  The Try It Trivet for  Alessi  was a reinterpretation of the humble exemplar, creating a conceptually novel and pleasurable item. The trivet was comprised of three arcs, each of which could be considered a trivet in and of itself. When assembled together, they created a stable support for multiple uses.  Award:  Good Design Award 2010.

Try it Trivet

Client: Alessi (Work done at Dror) 2009

The Try It Trivet for Alessi was a reinterpretation of the humble exemplar, creating a conceptually novel and pleasurable item. The trivet was comprised of three arcs, each of which could be considered a trivet in and of itself. When assembled together, they created a stable support for multiple uses.

Award: Good Design Award 2010.

  Concept Shoe   Client: Puma (Work done at Dror) 2005  Clabots wanted to distill a shoe down to its essence. For this concept shoe, he observed that most people would step on the back heel of the shoes to remove them. Therefore, Clabots designed a minimal form where the iconic side striping also functioned as a flexible fastener. This allowed the heel to flip down for easy exit and stay in the open position until its wearer latched it shut once more by sliding his foot in.

Concept Shoe

Client: Puma (Work done at Dror) 2005

Clabots wanted to distill a shoe down to its essence. For this concept shoe, he observed that most people would step on the back heel of the shoes to remove them. Therefore, Clabots designed a minimal form where the iconic side striping also functioned as a flexible fastener. This allowed the heel to flip down for easy exit and stay in the open position until its wearer latched it shut once more by sliding his foot in.

  Levi's Footwear Showroom   Client: Levi's Footwear (Work done at Dror) 2005  The  Levi’s  Showroom centered around the main shoe display. Inspired by bridge construction, Clabot’s design translated the iconic trademark of  Levi’s  into a three-dimensional sculpture that morphed up from the floorboards. Below the suspended boards, a bed of rivets from  Levi’s  jeans was revealed. The showroom space was finished to have a weathered authentic feel, which contrasted the clean and starkly minimal office space in which it was set.

Levi's Footwear Showroom

Client: Levi's Footwear (Work done at Dror) 2005

The Levi’s Showroom centered around the main shoe display. Inspired by bridge construction, Clabot’s design translated the iconic trademark of Levi’s into a three-dimensional sculpture that morphed up from the floorboards. Below the suspended boards, a bed of rivets from Levi’s jeans was revealed. The showroom space was finished to have a weathered authentic feel, which contrasted the clean and starkly minimal office space in which it was set.

  Creative Recreation Office Interior   Client: Creative Recreation (Work done at Dror) 2009  For this showroom, the objective was to reflect the essence of the Creative Recreation sneaker within the design of the interior space. The decor was split, contrasting a fresh, clean, minimal aesthetic against a weathered, raw, and rugged side.

Creative Recreation Office Interior

Client: Creative Recreation (Work done at Dror) 2009

For this showroom, the objective was to reflect the essence of the Creative Recreation sneaker within the design of the interior space. The decor was split, contrasting a fresh, clean, minimal aesthetic against a weathered, raw, and rugged side.

RISD

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2000-2004

  School Desk   Concept: TAIK 2003  The reimagined school desk rethought how we sit for long periods of time. The lower back support provided lumbar support when sitting upright, or it offered an elbow rest for leaning back. Storage for a bag was located under the writing surface. Clabots developed this while studying abroad in Finland, utilizing the advanced technical knowledge of the country’s wood-bending industry to mold this piece as one bent lamination form.

School Desk

Concept: TAIK 2003

The reimagined school desk rethought how we sit for long periods of time. The lower back support provided lumbar support when sitting upright, or it offered an elbow rest for leaning back. Storage for a bag was located under the writing surface. Clabots developed this while studying abroad in Finland, utilizing the advanced technical knowledge of the country’s wood-bending industry to mold this piece as one bent lamination form.

  Always Upright Stapler   Concept: RISD 2001  Clabots designed this concept-stapler for Swingline. Conventional upright staplers tend to be top-heavy and topple easily. The Always Upright Stapler solved this dilemma. When struck by the clutter on your desk, it simply wobbled and rolled around on its base with a playful movement.  Award:  Swingline Gersh Abraham Award for Design Excellence

Always Upright Stapler

Concept: RISD 2001

Clabots designed this concept-stapler for Swingline. Conventional upright staplers tend to be top-heavy and topple easily. The Always Upright Stapler solved this dilemma. When struck by the clutter on your desk, it simply wobbled and rolled around on its base with a playful movement.

Award: Swingline Gersh Abraham Award for Design Excellence

  Flora   Client: Ikea 2004  This concept lamp by Clabots won a design competition for Ikea at the University of Art and Design in Helsinki, and was selected for production. It combined a hanging planter and a light. The branches and leaves of the plant hung over the shade, and the shadows created by the leaves gave the light an organic element - something artificial light typically lacks. Because of its dual use, the lamp was invisible beneath the foliage when not in use.  Award:  Ikea Design Competition Winner 2004   Exhibition:  AmDC show “Outside of Sorts” 2008

Flora

Client: Ikea 2004

This concept lamp by Clabots won a design competition for Ikea at the University of Art and Design in Helsinki, and was selected for production. It combined a hanging planter and a light. The branches and leaves of the plant hung over the shade, and the shadows created by the leaves gave the light an organic element - something artificial light typically lacks. Because of its dual use, the lamp was invisible beneath the foliage when not in use.

Award: Ikea Design Competition Winner 2004

Exhibition: AmDC show “Outside of Sorts” 2008